The world of digital-to-analog converters (DACs) is a vast and ever-evolving landscape, with countless options available to audiophiles and music lovers alike. Two of the most popular and highly acclaimed DACs on the market today are the Musical Fidelity V-DAC II and the Cambridge Audio DacMagic 100. In this comprehensive comparison, we will delve into the depths of these two exceptional devices, exploring their features, performance, and overall value to help you make an informed decision.

Design and Build Quality

The Musical Fidelity V-DAC II boasts a sleek and minimalistic design with a compact footprint. Its sleek black chassis exudes a sense of sophistication and elegance. On the other hand, the Cambridge Audio DacMagic 100 features a more traditional design with a brushed aluminum faceplate and a larger footprint. Both devices are solidly built and feature high-quality components.

Features and Connectivity

The V-DAC II offers a wide range of features, including a built-in headphone amplifier, multiple digital inputs (coaxial, optical, and USB), and a dedicated asynchronous USB input for optimal performance with computers. The DacMagic 100, while lacking a headphone amplifier, provides a similar array of digital inputs. Additionally, it features a built-in Bluetooth receiver for wireless connectivity.

Digital Processing and Sound Quality

Both the V-DAC II and the DacMagic 100 employ advanced digital processing technologies to deliver exceptional sound quality. The V-DAC II utilizes a Burr-Brown PCM1793 DAC chip, while the DacMagic 100 features a Wolfson WM8741 DAC chip.

In terms of sound quality, both DACs offer a highly detailed and accurate presentation with excellent dynamics and a wide soundstage. The V-DAC II is known for its warm and musical sound, while the DacMagic 100 delivers a more analytical and transparent performance.

Performance with Different Sources

When it comes to performance with different sources, the V-DAC II excels with its dedicated asynchronous USB input, which ensures optimal audio quality when connected to a computer. The DacMagic 100, while lacking a dedicated USB input, still performs admirably with all digital sources.

Value for Money

The Musical Fidelity V-DAC II and Cambridge Audio DacMagic 100 are both priced competitively in the mid-range DAC market. The V-DAC II offers a slightly more affordable option, while the DacMagic 100 provides additional features such as Bluetooth connectivity. Ultimately, the best value for money depends on your individual needs and preferences.

Which One to Choose?

Choosing between the Musical Fidelity V-DAC II and the Cambridge Audio DacMagic 100 is a matter of personal preference and specific requirements. If you prioritize a warm and musical sound, a dedicated headphone amplifier, and a more affordable price, the V-DAC II is an excellent choice. However, if you value a more analytical and transparent sound, Bluetooth connectivity, and a larger footprint, the DacMagic 100 is a compelling option.

Wrap-Up: The Best DAC for Your Needs

Whether you opt for the Musical Fidelity V-DAC II or the Cambridge Audio DacMagic 100, you can rest assured that you are investing in a high-quality DAC that will elevate your listening experience. Both devices offer exceptional sound quality, reliable performance, and a range of features to meet the needs of discerning audiophiles.

Basics You Wanted To Know

Q: Which DAC has a wider soundstage?
A: Both DACs offer a wide soundstage, but subjective preferences may vary.

Q: Is the V-DAC II better for use with headphones?
A: Yes, the V-DAC II features a built-in headphone amplifier, providing a dedicated output for headphones.

Q: Can the DacMagic 100 be used as a preamplifier?
A: No, neither the V-DAC II nor the DacMagic 100 has preamplifier functionality.

Q: Which DAC is more suitable for use with a turntable?
A: Neither of these DACs has a phono stage, so they are not directly suitable for use with a turntable.

Q: Is the V-DAC II compatible with high-resolution audio files?
A: Yes, the V-DAC II supports high-resolution audio files up to 24-bit/192kHz.